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Joined 1 year ago
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Cake day: July 3rd, 2023

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  • This right here. I liked how TNG did it. Series premier bring an oldster in to launch, maybe have a special episode or two with another.

    If we really wanted Colm back, have it in the premier of Starfleet Academy where the new cadets are going through a hall of distinguished professors and have an elderly O’Brien do a cameo with a sample of one of his lectures. Nice to connect the show to lore and nostalgia but short enough to let the new cast stand on their own.

    That said, I agree with Colm. Let O’Brien stay as he is. He had a perfect send-off.




  • Yes-ish. The characters were villains, but the organization wasn’t necessarily. For instance, in Discovery season 2, Leland and his crew were the villains, but Section 31 was portrayed less as an extremist cabal and more as a misguided morally-grey organization. Less a blight upon the Federation and more an uncomfortable, but integral, part of it.

    @setsneedtofeed@lemmy.world captures it well. Instead of being a cabal of extremists doing illegal and immoral things because they think they’re connected to a higher purpose, they’re a semi-official CIA-like organization.

    I guess what I’m trying to say is that Section 31 isn’t supposed to be a cool or semi-legitimate organization (with ships, insignia, etc.) but rather shadowy and absolutely beyond the pale of legitimacy where very few can stomach what they do. From an artistic/thematic POV, Section 31 should be there to show us that a good society requires work to maintain and that its undoing can come from within by those claiming to protect it by eschewing that society’s values. In other words, the ends don’t justify the means.


  • It should be a conspiracy of like-minded individuals that exists parasitically within Starfleet, not an official (or an “unofficial official” agency).

    I agree. When 31 was first introduced, and Sloan explained that Section 31 was sanctioned by Starfleet under Article 14, Section 31 of the Starfleet Charter, the implication was that they were people who misinterpreted or construed a (probably minor) part of the Starfleet Charter and used it to justify damn near anything.

    Personally, I hate how Section 31 has been changed to be misunderstood, cool good guy/anti-hero types who are doing the wrong things for the right reason. DS9 had it right with portraying them as the villains within who should be snuffed out because the ends don’t justify the means.









  • I see your point, but I still don’t think the scene works, but thinking about it like that makes it much more watchable. My point is that the scene is simultaneously poignant and a throw-away. It’s a “big deal” but also just one scene.

    By the 32nd century, something like that should be such a non-issue for humans, that it would be like stating just another fact about yourself (amnesia and trust-issues aside), which lends itself to being a throw-away…but that defeats the purpose of the scene. Again, I am all about the message and Stamets’ reaction, but it felt very 21st century and on-the-nose.

    I’d have preferred if Adira were just non-binary from the beginning and maybe have a quick correction of someone when they were misgendered. Or, let that scene be the reveal of something else, like the symbiont. With that change (I’d have to rewatch the season to see where this scene was in relation to the symbiont reveal), I think the scene would still work while tightening up the writing. I also think it’d get the message across, too.

    Now, if the writers really wanted that scene to stay as-is, there are options. Make them an alien from a culture not as enlightened (which would cause other issues) or have this scene play into a bigger theme of Earth backsliding post-Burn (like a Dark Ages) to have mores closer to the 21st century and show the 23rd century crew as horrified by it and work to bring Earth and humanity back toward enlightenment.

    This kinda sums up my main problem with Disco. There were great options on the table to realize a concept, but they just wrote it in an awkward way that is unsatisfying (at least to me). Sometimes, that awkwardness reads as performative/lazily progressive.


  • It’s not that Disco isn’t progressive; it’s just lazily progressive. Case in point: the scene that bothers me to this day is Adira coming out as non-binary, just beyond cringe-worthy and very 21st century. As a viewer, the scene read like Adira was waiting to be judged harshly for their identity, and it just totally took me out of the era. By the 32nd century, I’d expect that being judged harshly for one’s gender identity would be at least a millennium behind us, and the conversation should either have not happened or been so matter-of-fact that it was treated as nothing. I get what the writers were trying to do, and it fell so flat and felt so bluntly obvious. I’m all for the message, but the delivery was not great.

    The saddest thing about Disco to me is that there were great ideas and great intentions, but the execution of those ideas was so poor. Really, it just shows that you can have great actors, great directors, and great concepts, but if the writers can’t make it work, it just all comes apart.


  • I got a laptop back in 2018, and it shipped really fast. It’s not my daily driver, but it works well when I’m on the road, and the battery life is pretty good. Granted, I replaced the OS with a distro I prefer and customized the hell out of it, so that might contribute to my experience. Tbh, I was pretty impressed with it (still am), and I was going to buy a Librem 5 when they came out. I wanted to wait and not just throw money at them because I didn’t want to get burned. After all the horror stories and crap reviews, I passed on that and won’t touch the company with a 10 foot pole, and I thank past me for not throwing money at them.

    I think that the company started with noble intentions and made a decent product at first, but they got in way over their heads and now they’re floundering.



  • You’re getting downvoted, but you’re right. And that is the reason that using proprietary software and SaaS is a problem. If I’m only buying the right to use a copy of something as a company sees fit, then I’m not really buying anything. I’m essentially paying a company a tribute to use their software in their way.

    Decades ago, it was the same way, but it felt different. We got physical media, and we could do what we wished with the files: modify them, delete them, etc. Hell, the EULAs for some '90s and early '00s software even said you could use the software in perpetuity, and we could use software in anyway we saw fit. The biggest constraint was on selling copies. Back then, and even now, that seems pretty reasonable. (Though, as an aside, it would have been better to also get access to the source code, but I digress.)

    Now, we have to use company’s software exactly how they want us to use it. Personally, I refuse to go along with this (as much as I can), so I have migrated most of my digital life to FLOSS.



  • Not necessarily. The Free and Libre Open Source Software (FLOSS) movement is a thing. Most of the Fediverse is FLOSS, and I doubt there’s anyone who can take Lemmy or Mastodon closed source and buy every instance and then stop pop-up instances. It does require quite a bit of work, though, so it is difficult.

    I think the real challenging thing is that a great FLOSS service needs to attract attention and care. When I bring up Fediverse/FLOSS alternatives to software my friends complain about, I’m met with lukewarm-at-best reactions, generally due to networking effects (I think).